4:46 pm 287 notes
Les emigrantes (The Emigrants) by Remedios Varo, 1938. Oil on canvas.
(Source: artist-varo, via raph-dudovsky)
4:44 pm 18 notes
Hans Rudolf “Rüdi” Giger, Albert Hofman & Stanislav Grof
“Objects and their functions no longer had any significance. All I perceived was perception itself, the hell of forms and figures devoid of human emotion and detached from the reality of my unreal environment. I was an instrument in a virtual world that constantly renewed its own meaningless image in a living world that was itself perceived outside of nature. And since the appearance of things was no longer definitive but limitless, this paradisaical awareness freed me from the reality external to myself. The fire and the rose, as it were, became one.”
— Federico Fellini
(via entheognosis)
(via seeking-soma)
4:34 pm 61 notes